The Thubden (Diptychs)
The Thubden (Syriac: ܬܘܒܕܢܐ, Thubdeno) often called the Diptychs in Greek/Latin usage — is the series of intercessory commemorations read at the heart of the Anaphora after the Consecration. It is one of the most ancient elements of the Eucharistic rite: names of the living and the departed were written on two tablets (the diptycha) and read aloud during the offering, a practice attested already in the early Church.
In the Byzantine/Chrysostom tradition the Thubden is integrated into the Anaphora: the deacon (or priest) announces each commemoration, the priest prays (often first silently and then aloud), and the people answer Amen. The deacon commonly censes during the first Thubden, symbolizing that the prayers ascend to God. The Liturgy of St. John Chrysostom contains these intercessory remembrances as part of the Anaphora’s flow from the Sanctus toward the Epiclesis, commemoration, and communion.
The Six Thubdens (Diptychs) — Text, Purpose and Scriptural Basis
1. For the Living Spiritual Fathers
(Based on Hebrews 13:18–19)
Deacon: Barekmor. Let us pray and beseech the Lord our God at this great, solemn, and sacred moment…
Priest: (Prays for the Patriarchs and Hierarchs of the Church)
Explanation: Of the three Patriarchs commemorated, the first is the Patriarch of Antioch, Moran Mor Ignatius; the second is the Catholicos of the East, Moran Mar Baselios; and the third is Gregorios of Jerusalem — though a bishop, he is accorded the title “Patriarch” by ancient privilege.
2. For the Living Faithful Brethren
(Based on Ephesians 6:18)
Deacon: Barekmor. Again we call to remembrance, O Lord, all our brethren — the faithful and true Christians — who have bidden us to remember them in our prayers…
Priest: (Prays for those suffering persecution, tribulations, or seeking intercession.)
3. For the Living Secular Rulers
(Based on Ezra 6:9 and 2 Timothy 2:2)
Deacon: Barekmor. Again we remember all faithful and truly Christian rulers, who have established and confirmed the churches in the true faith…
Priest: (Prays for rulers to govern with justice, peace, and righteousness.)
4. For the Mother of God and All Saints
(Based on Hebrews 11)
Deacon: Barekmor. Again we commemorate her who is worthy of being called blessed and exalted by all generations of the earth — the Holy Theotokos, Mary, together with the prophets, apostles, martyrs, and all saints…
Priest: (Prays that their prayers and intercessions may help and strengthen the Church.)
5. For the Departed Spiritual Fathers and Doctors of the Church
Deacon: Barekmor. Again we remember those who have fallen asleep before us in holiness and taken repose in the abode of the saints…
Explanation: Here the Church commemorates the three Ecumenical Councils (Nicaea, Constantinople, Ephesus) and 26 Fathers who lived before A.D. 600, along with three Fathers thereafter, who preserved the apostolic faith against heresies.
6. For All the Faithful Departed
(Based on Exodus 28:11–12, 28)
Deacon: Barekmor. Again we remember all the faithful departed who have passed away in love and in the true faith, from this holy sanctuary and from this Church…
Priest: (Prays silently, then aloud) D’Methoolose Oph Lan Val’loon
People: Comfort us, O God, and grant remission and forgiveness for all offences.
Second Benediction and the Mystery of the Passion
Following the Thubden, the priest gives the Second Benediction:
Priest: Neh’voon +++
“May the grace of Jesus Christ, the exalted God and our Saviour, be with us all…”
As the people sing “Hearken, gracious Lord” or another hymn, the priest performs the Fraction Ceremony of the Holy Body, symbolizing the Passion, Crucifixion, Burial, and Resurrection of Christ. The mingling of the Body and Blood represents the unity of Christ’s divinity and humanity.
The Veiling of the Sanctuary and the Hymn of Supplication
After the completion of the Thubden (Diptychs), the liturgy enters a deeply solemn moment that symbolically unites the Church’s earthly worship with the heavenly mystery. The sanctuary (madbaha) is now veiled, signifying the profound mysteries taking place behind the curtain — just as the divine work of salvation, Christ’s death, burial, and resurrection were hidden from the world. This action recalls the Gospel description:
“It was now about the sixth hour, and darkness came over the whole land until the ninth hour, for the sun stopped shining. And the curtain of the temple was torn in two.” (Luke 23:44–45)
The veiling also points to the mysterious union of heaven and earth within the Eucharist, where the altar becomes the throne of God and the Lamb once slain is mystically present.
At this moment, the congregation joins in one of the most beloved supplication hymns of the Syriac tradition. This hymn is sung in the Mor Ephrem tune, a melody attributed to the great 4th-century hymnographer St. Ephrem the Syrian, and it expresses the Church’s plea for divine mercy as it prepares to approach the Holy Mysteries.
Two traditional options exist for Hymn 129:
- B’thar’vo Deelok Hanono – “Hearken, gracious Lord, we pray…”
- Sroped’ Nooro – “Seraphim of fiery line, saw Isaiah in the shrine; each six-winged, round the throne, serving God alone…”
These hymns reflect the language of the prophet Isaiah’s vision of heavenly worship (Isaiah 6:1–3), reminding the faithful that the Eucharist is not merely an earthly ceremony but a participation in the eternal liturgy of heaven, where angels ceaselessly cry “Holy, Holy, Holy.